
|
|
"I started doing jazz in 1979. My first jazz gig was with Kuni Mikami at The Surfmaid on Bleecker Street, a combination piano bar and jazz club. That's where I first met and sat in with Fred Hersch. Fred worked there some weekends. Ironically, it wasn't at any of the jazzier venues where Mary blossomed as a performer. "I started playing in nursing homes-- enough to earn a living -- and that's where I became an entertainer. That's where I learned to sing things that would make people happy. Now I perform at better known jazz venues." And now comes You And I, an album that should make Mary Pearson much more visible to the listening public. "I started out with three songs I recorded with Fred Hersch and one I had done with David Lahm. I realized I had the beginnings of an interesting duo album so I added a few songs with pianist Lynne Arriale, a few tunes with guitarist John Hart, one with bassist Harvey Swartz, and a couple of tunes just with drums, played by Steve Davis." Mary arranged the songs more by suggestion than notation. "I play enough piano to demonstrate what I wanted. I said, 'This is how I play it. Now, you play it better."
"Lazy Afternoon" is the perfect prelude, instantly drawing the listener
in. "Take Five" is all longing and suggestion and seduction. "The More
I See You" is considered by Mary to be the definitive song on the album.
Other highlights include the three original love songs by Mary, songs that,
once heard by other singers, I expect will be sung more and more. You And
I is a virtual suite of love songs, a seamless tapestry of romance. "You
And I is about intimacy, devotion, seduction, passion and love. It's you
and I from beginning to end." It's also the first album from the first
singer signed to Arkadia Jazz -- and one hopes, just the first of many to
come from this uniquely lyrical jazz singer, Mary Pearson.
Michael Bourne
"Singers Unlimited", WBGO, Newark
MARY'S THANKS
Two women friends and I were discussing age, not birth certificate age, but how old we felt we were -- chronology be damned! The 88 year old said 16, the 41 year old felt 28, the 50 year old, 32... the ages we were when we met our husbands. "So much for liberation! We still define ourselves by our men." said one. No, we decided, we're not defined by them, we've been freed by them. Thanks to John Kelly Canzoneri, my husband and partner in all things, for that and for everything. Thanks to my friends and family, especially my wonderful mother, Betty Pearson. For their inspiration and encouragement, thanks to Sam Arlen, Nancy Barell, Michael Bourne, Haywood Burns, Ed Chalfin, Roz Corral, Nancy Curry, Claude Garvey, Ira Gitler, Laraine Gladstone, Rhonda Hamilton, Barry Harris, Stanley Kay, Orrin Keepnews, Gayle Kirschenbaum, Art Labriola, Nancy Ann Lee, Steve Logan, Frank Malfitano, Barbara Moroch, Mark Murphy, Cobi Narita, Nanette Natal, Geoge Puello, Felicia and Dan Reymont, John Roche, Irv Rothbart, Jessica Sendra, Mario Serio, Barbara Sfraga, Howlett Smith, Jephre Solnick and Dr. Billy Taylor. Special thanks to Lynne Arriale, Steve Davis, John Hart, Fred Hersch, David Lahm, and Harvie Swartz for their sensitivity and artistry, and for the gift of their magic. And thank you, Bob Karcy.
Mary Pearson
THIRTEEN
THIRTEEN is an unreleased album of thirteen of Mary's own compositions. It is predominantly a midi production co-produced and executed by Art Labriola with performances by drummer Bruce Ditmas and baritone saxophonist Claire Daly.
FOR THE LOVE OF JAZZ
This NARM 2000 CD includes one of Mary Pearson's cuts from YOU AND I -- "I
Can't Believe".
It is the closing track, track #13, on a highly visible, compilation CD.
A yearly record merchants' product, the National Association of Recording
Merchandisers, distributes seventy-five to ninety thousand copies of this
bargain priced sampler. The purpose is to promote jazz as a whole as well as
the individual artists chosen for the project. Several well known artists
including Acoustic Alchemy and John Pizzarelli are featured on the jazz
sampler which had a release date of June 6th, 2000.